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金刚的逆袭
宝田明,罗兹·利森,滨美枝,琳达·米勒,天本英世60年代的日本人似乎对这个大黑猩猩情有独钟,在玩遍了各种哥斯拉的故事之后,依然将金刚的神奇遭遇不停地向人们展示、炫耀。光看他的故事就能让人吓一跳:科学家制造出了一个机械金刚,用来在北极挖掘神秘的X元素,与此同时邪恶的博士绑架了真正的金刚,令其干同样的活,因此,机械金刚与原形之间的连番恶斗就在所难免了。
毛骨悚然撞鬼经 2021特别篇
桥本环奈,恒松祐里,山中崇,与田祐希
沙漠战士
安东尼·麦凯,本·金斯利,艾莎·哈特,沙尔托·科普雷,纽曼·阿卡,盖佐·罗赫里格,加桑·马苏德,塞米·鲍亚吉拉,纳比勒·埃卢比,拉姆齐·法拉加拉,Saïd Boumazoughe,哈基姆·卓马,拉米斯·阿马尔,大卫·索尔塔尼,Omar Al-Atawi7th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.
诺玛·蕾
莎莉·菲尔德,博·布里奇斯,罗恩·雷布曼,帕特·亨格尔,芭芭拉·巴斯里,盖尔·斯特里克兰德,摩根·保罗,罗伯特·布罗伊尔斯,John Calvin,布思·科尔曼,李·德布鲁,詹姆斯·路易西,Vernon Weddle,吉尔伯特·格林,鲍勃·米诺故事发生在一个南部小镇的棉织厂,诺玛(莎莉·菲尔德 Sally Field 饰)和她的家人都在这里工作。这个工厂的工作环境异常恶劣,工人们每天都经受着资本家的无情剥削和艰辛劳动。面对这种不公平的待遇,工人们备受压迫和困扰。为了改变这种状况,总工会派来了一名经验丰富的组织者,希望能够协助当地工人组织自己的工会,为工人们争取更好的待遇和权益。然而,工人们对组织者的到来持有怀疑态度,他们心存疑虑,担心这只是一个无望的尝试。组织者面临着许多困难和挑战。工人们对他进行冷嘲热讽,老板则用各种无理阻拦来阻碍工会的成立。看到这一切,诺玛内心充满了愤慨和不满。她是一个有着坚强意志的女性,对不合理的事物总是敢于挑战。受到组织者的激励和影响,诺玛最终选择站出来,成为了改变的先锋。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.