爱恋
曾携手莫妮卡·贝鲁奇和文森特·卡索以电影《不可撤销》轰动戛纳的导演加斯帕·诺携新作《爱恋3D》重返戛纳,影片聚焦一男两女的情欲爱情,新人男主卡尔·格洛斯曼单挑大梁,让影片备受关注。影片入围第68届戛纳电影节午夜展映单元和酷儿棕榈单元海外影视
在线观看
剧情提要
曾携手莫妮卡·贝鲁奇和文森特·卡索以电影《不可撤销》轰动戛纳的导演加斯帕·诺携新作《爱恋3D》重返戛纳,影片聚焦一男两女的情欲爱情,新人男主卡尔·格洛斯曼单挑大梁,让影片备受关注。影片入围第68届戛纳电影节午夜展映单元和酷儿棕榈单元海外影视
暗夜精选
旅行者的需求
伊莎贝尔·于佩尔,李慧英,权海骁,赵允熙,河成国最后的KPI
帕拉帕蒙通·伊埃猜,帕奥佩茨·查伦舒克,查纳坎·拉塔纳乌东,萍玛达·柴莎索恩,黛莉娜·班楚推理要在晚餐后 电影版
樱井翔,北川景子,椎名桔平,中村雅俊,樱庭奈奈美,要润,鹿贺丈史,黑谷友香,甲本雅裕,大仓孝二,儿岛一哉,村川绘梨,团时朗,六角精儿,田中要次,伊东四朗,生濑胜久,竹中直人,宫泽理惠虫2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田绢绪,细川佳央,桥野纯平,中山求一郎苌山虎
廉晶雅,朴赫权,申隣雅,李俊赫,方柔雪,许真,李律,李在恩丹凤眼
陈虹妤,麦肯娜·格瑞丝,麦特里伊·拉玛克里斯南,邬君梅,阿梅莉·齐尔伯,杜方,伊莲·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里顿·韦伯,Callie McClincy,Scott Deal,萨拉·科普金,R.基斯·哈里斯,乔纳森·D·威廉斯,马龙·托马斯,伊丽莎白·潘,Cecelia Specht,Katy Wilson,马克·德米特搜查瑠公圳
朱轩洋,吴卓源,张世,梁修身,朱栢康,姚淳耀,张永正,李雪,潘仪君,詹怀云,马力欧,罗芽里,廖嘉琛,王振复,钱薇真同系列推荐
尤为明亮的生物
莎莉·菲尔德,刘易斯·普尔曼,丹·佩恩,贝丝·格兰特,科尔姆·米尼,劳拉·哈里斯,索菲亚·布莱克-德埃利亚,凯西·贝克,陈冲,梅根·赫弗恩,唐纳德·沙利斯,萨莎·威廉斯,迈尔斯·马萨勒,Brandon McEwan,Emily Giannozio,卡里姆·马尔科姆,Kingston Goodjohn,Ezra Wilson,安东尼·哈里森,诺亚·克雷格,卡罗琳·亚代尔鬼府神工
劳伦·拉维拉,Claudio Nathan Brezzi,雅辛·法德尔,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克劳迪亚·杰里尼,Jonathan Dylan King,Elisabetta Klein,乔瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮丝·麦克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛伦佐·伦兹,Nicolo Viridi,Linda Zampagli飞砂风中转
郑伊健,陈小春,方中信,余安安,叶璇,陈子聪,刘浩龙古曼童
辛迪·米兰达,纳塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel龙林逃生
陈升卫,林千雯,鬼哥,龙娜,薛琼,李信庆杀他的100种办法
幕后花絮
毛骨悚然撞鬼经 2020秋季特别篇
本集收录新作《造了不开启的房间》《有内情的KTV》及过去二十年名作选《交出手臂》《身后的女人》《深夜的镜像》《悬崖下》《书本招来的幽灵》《出租车司机的经历》《多出一人的电梯》《颜之道》。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster