邻居家妻子
지방의 평범한 가정에서 태어나 20대 중반에 취직과 함께 서울로 상경했다艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan 사무직과 요가 강사를 병행하며 열심히 생활하던 중 3년 전, 요가 수강생의 소개로 남편을 만나 결혼했다. 하지만, 점점 심해지는 남편의 무시와 언어폭력에 이전의 생기발랄함은 사라지고 자존감은 땅 끝 까지 떨어졌다. 남편의 충격적인 불륜 장면을 목격한 후, 오히려 남편에게 이혼을 강요당하며 매일 밤 남편 의 불륜장면을 복기하는 악몽에 시달려 하루에도 열 두 번씩 자살 충동을 느낀다. 그러던 중 수정 오피스텔의 윗집 남자인 주형과의 만남이 시작되고....
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莫德罗监狱1977
米盖尔·赫尔南,哈维尔·古铁雷斯,赫苏斯·卡罗萨,Catalina Sopelana,费尔南多·特赫罗,哈维·萨兹,Víctor Castilla,Alfonso Lara,Iñigo de la Iglesia,伊尼戈·阿兰布鲁,Javier Lago,哈维尔·贝尔特兰,Aimar Vega,Julián Valcárcel,Nacho Marraco犬之力
本尼迪克特·康伯巴奇,克尔斯滕·邓斯特,柯蒂·斯密特-麦菲,杰西·普莱蒙,托马辛·麦肯齐,基思·卡拉丹,弗兰西丝·康罗伊,吉娜维夫·莱蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛维,爱丽丝·恩格勒特,Yvette Reid,斯特芬·劳瓦特,瓦季姆·列多戈罗夫,朱莉·福塞斯,彼得·卡罗尔,艾莉森·布鲁斯,大卫·T·林,亚当·比奇,Ramontay McConnell,Max Mata,Ken Radley年兽
陈创,姜彭,吕妍,於薇妮,杜星奇,刘霖,郑龙叶塞尼亚
杰奎琳·安德瑞,乔治·拉瓦特,艾尔玛·洛扎诺,胡安·加利亚,奥斯卡·莫雷利,Pilar Sen,伊莎贝拉·科罗娜,Claudia Martell,艾丽西亚·罗德里格斯,奥古斯托·贝内迪克,维克托·阿尔科塞尔,何塞·巴伐利亚,罗莎·弗曼,Maria Wagner,费尔南多·索莱尔逆转劫局
乌戈·席尔瓦,埃玛·苏亚雷斯,娜塔莉·波萨,巴巴拉·戈纳加,丹尼尔·佩雷兹·普拉达,苏珊娜·阿巴图纳·戈麦斯,坎迪多·乌兰加,Alexandra Prokhorova,Richard Sahagún,费尔南多·阿尔比祖噬血芭蕾
阿丽莎·威尔,梅丽莎·巴雷拉,丹·史蒂文斯,凯瑟琳·纽顿,凯文·杜兰,吉安卡罗·埃斯波西托,安格斯·克劳德,威廉·卡特列特,马修·古迪同类推荐
杨非与高俐
刘道玄,彭必瑶,潘国栋,刘占奎,陈纬,高果高俐醉酒被强哥等人绑架索赎金一亿,杨非因父需百万手术费赶路时车被同一伙劫匪抢走。二人相遇后,杨非助高俐斗绑匪,发现高俐与曾因治妻病抵押房产、借高利贷却致家庭破裂的父亲有矛盾。最终高俐获救,与父和解,杨非凑齐手术费,二人相恋。
祖鲁
奥兰多·布鲁姆,福里斯特·惠特克阿里(福里斯特·惠特克 Forest Whitaker 饰)和母亲是从曾经惨绝人寰的种族屠杀中幸免于难的幸存者,虽然如今的他已然出人头地成为了开普敦警局重案组的负责人,但儿时充满了血腥和恐惧的回忆依然沉淀在他的内心之中,阴影挥之不去。 布莱恩(奥兰多·布鲁姆 Orlando Bloom 饰)是阿里的下属,他的家族成员曾经是种族隔离活动中的激进分子,不过这并没能够影响到他和阿里之间的信任和友谊。一连串凶杀案的发生和一种新型毒品的出现将城市推到了风口浪尖,直到这时,肩负着巨大压力的阿里才发现,那些他以为已经成为过去的事情,其实并没有真正的过去,也永远都不会过去。
古剑奇谭之焚寂天劫
白澍,梁婧娴,姜震昊,黄羿,王景灏蓬莱大战三百年后,百里屠苏终被风晴雪复活,欧阳少恭也被巽芳救出。蚩尤控制少恭危害百姓,众人合力对抗却不敌。屠苏得到女娲指点,将剑魄给予少恭,合体击败蚩尤,以死换得天下太平。
哨兵
迈克尔·帕尔,杰森·R·摩尔,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King在外星人入侵几乎灭绝人类的几年后,人类难民在月球上的一个秘密基地,三个英雄决定跳入时间旅行,不顾一切地试图拯救幸存者,但他们不知道哨兵正在等待他们。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster