妈妈的朋友2（2016）-Mom’s Friend 2 (2016)
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最后幸存者
德鲁·凡·阿克尔,艾丽西亚·希尔维斯通,史蒂芬·莫耶,马克·法姆吉列蒂,本杰明·亚瑟,Akaash Yadav,Simon LeesThe pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.
英雄无声
牛丽燕,刘旭该片由四个单元组成，分别是《军属》《遗嘱》《抉择》《生命大接力》。《军属》讲述解放军军官侯泽刚率队到国外执行维和任务后，他怀孕即将分娩的妻子吴秀芬查出患癌症，腹中的二孩刚出生就夭折，吴秀芬对丈夫隐瞒实情，顽强地抗击病魔和抚养7岁的大儿子，让丈夫在国外安心执行维和任务的故事；《遗嘱》讲述双拥模范许大周一家几十年如一日祭奠革命烈士的故事；《抉择》讲述双拥模范郑尚德一家三代人守护烈士陵园几十年的故事；《生命大接力》讲述县武装部政委边文军救助受重伤生命垂危的贫困女孩小刘梅的故事。
毛骨悚然撞鬼经 2025夏季特别篇
小栗旬,上野树里,冈田将生,佐藤健,绫濑遥,石原里美,出口夏希放送作品 黄泉の森（2004年） 行きずりの紊乱者（2004年） 右肩の女（2012年） 顔の道」2009年） 怨みの代償（2009年） S銅山の女（2014年） 或る訳ありの部屋（2025年）
德国悬案事件簿：失踪警探
罗兰·维斯内克,梅克·德罗斯特,马克·本杰明·普赫一天清晨，刑警惊觉自己的搭档失去了音讯。事实上，搭档在夜晚返家的途中，意外目睹一起犯罪行为。不料现场突然发生提款机爆炸，她身受重伤，随即被犯人绑走。
我的学姐是青蛇
打破白娘子传说的固有框架，以许仕林后人许博森的现代视角切入，将千年神话与当代青年的成长、抉择结合，把 “救母” 而非 “爱情” 作为核心主线，赋予经典故事全新的情感内核与现实思考。
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.