在大伯面前第一次高潮的巨乳人妻
加奈总是容易轻信别人的故事，这次她得到了姐夫太一的帮助，太一似乎被骗了。太一是一位深海渔民，一直渴望得到女人，他看透了加奈内心的渴望，巧妙地说服了她。加奈不堪重负，只好作罢，坚称这只是一次性的事艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
即刻观影
剧情赏析
编辑推荐
成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
我的朋友安德烈
刘昊然,董子健,殷桃,韩昊霖,迟兴楷,董宝石,宁理,雷佳音,章若楠,张宥浩,薛宝鹤性格迥异的李默（刘昊然 饰）与安德烈（董子健 饰）因为足球成为知己，而一场意外却让安德烈跟随年少往事一起消失在了李默的记忆中。多年后，李默在为父亲奔丧路上与安德烈“重逢”，一段尘封的回忆被逐渐揭开…… 电影改编自双雪涛的同名小说《我的朋友安德烈》。
孤独犯罪狂
布伦娜·斯卡尔斯基,伊恩·赖尔·迈克尔斯,大卫·赫特当一位孤独的真正犯罪迷遇到她最喜欢的播客主持人时，浪漫擦出了火花，但事情很快变得奇怪，因为他对她的迷恋变成了痴迷，而他最新的剧集似乎围绕着她最终的谋杀展开。
重大发现
尼尔·布林,丹妮尔·安德雷德一位计算机科学家/小说家与他儿时的朋友团聚，并闯入政府数据库，同时面对他小时候所获得的神秘行为的可怕后果。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
丧尸特警
特里特·威廉斯,乔·皮斯科波,琳赛·福斯特,达伦·麦克加文,文森特·普莱斯,克莱尔·科克奈尔,陆锡麒,罗伯特·皮卡多,梅尔·斯图尔特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里维斯两位壮汉刑警在调查一起银行劫案时，发现犯罪分子居然个个刀枪不入。根据线索，他们找到一家公司，似乎最近的很多案件都和这家公司的一个秘密实验室有关。后来，此两位硬汉在与犯罪分子的斗争中不幸相继殉职，但这恰好给他们创造了机会——两个人亦成为试验品，他们的尸体即将被一个怀揣着极大阴谋的邪恶博士所利用……然而，哼哼，英勇的人民公安是不会向犯罪集团低头的，you can't keep a good cop dead！