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她的重生
玛丽安娜·芳塔娜,乔瓦尼·安扎尔多,Demetra Avincola,Dalila De Marco,洛伦索·吉埃利,Eliana Lupo,Cristiana Raggi,Nicola Rignanese影片在舒缓的节奏下呈现了一位女性重塑自我之路,故事主人公安娜为她十几岁时犯下的谋杀罪已经服刑15年,虽然服刑期满,但周围异样的眼神意味着 对她的审判仍未结束。安娜离家远行来到一个小镇并找到工作,准备开启新生活,但她仍需与封闭、恐惧、偏见不停斗争,那些旧日时光留下的黑洞,必须由她亲自填补。
隐藏杀手2
Raphael Sbarge,Kate Hodge上集中异形并没有被消灭掉,她又回来了,变得更加的强大,这次的主角轮到别克的女儿朱丽娅了,她和另一个伙伴要继续面对新的挑战了
宇宙毁灭记
Jeff Morrow,Barbara Lawrence,John Emery一颗神秘小行星接近地球,后坠入海中,不想其实际上是外星的自动侵略武器,专门吸食地球的资源和电量,更可怕的是如果不能摧毁这个武器,还会有更多的外星武器来到地球。。
月球奇幻旅
麦肯娜·格瑞丝,布雷迪·诺恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奥逊·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue肖恩·利维将再次合作老搭档二十世纪福斯,执导新片[陨石坑](Crater,暂译),利维也将约翰·J·格里芬执笔的原创剧本进行改编。故事被描述为科幻版的[ 伴我同行 ],讲述在月球殖民地长大的男孩,和三个小伙伴共同前往一处神秘陨石坑探秘,不料却发生意外。影片剧本曾经入选2015年“好莱坞剧本黑名单”。
黑衣女人2:死亡天使
海伦·麦克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·贝斯特,阿德里安·劳林斯,奥克利·佩德加斯特,莱拉·德·梅扎,海莉·乔安妮·培根,奈德·丹内利,阿米莉娅·皮金,豪尔赫·莱昂·马丁内斯,裘德·怀特,皮普·皮尔斯,理查德·班克斯,阿尔菲·西蒙斯1941年,第二次世界大战如火如荼。英国伦敦遭到纳粹法西斯的毁灭性轰炸,成千上万的人流离失所,更有无数儿童沦为孤儿。为了躲避战火的蹂躏,陆军军官的妻子海伦·霍格女士(海伦·麦克洛瑞 Helen McCrory 饰)与伊芙·帕金斯(菲比·福克斯 Phoebe Fox 饰)带着孤儿们登上列车,辗转来到一处偏远所在避难。经过长途跋涉,她们抵达目的地并被安排在临时的占时军队医院落脚。只不过它的前身这里正是那个黑衣女人横行盘桓的Eel Marsh House。才脱狼穴,又入虎口,惊慌失措的女人和孩子们即将迎来比战争更为可怕的噩梦,恶灵的杀戮有序展开…… 本片根据英国小说家苏珊·希尔(Susan Hill)的畅销小说改编。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster