未知方程式
Thislong-lostmasterpieceofhardcoregayeroticcinemacentersonahandsomeyoungstudwhorideshismotorcyclethroughmyriadsexualencounters,fromasoccergame’slockerroomtoaphantasmagoricanddeeplymelancholyorgy.Alabyrinthofall-malefantasieswhoseoutstandingbeautiesalwaysendupfadingawaywhileleavingtheirsensualprotagonistdealingwithhisownlo.海外影视
影片推荐
与王生活的男人
柳海真,朴志训,刘智泰,田美都,李浚赫,朴智焕,金旻看不见的守护者
玛尔塔·埃图拉,埃尔薇拉·明戈斯,Patricia López学园便利屋
古川登志夫,平松広和,関俊彦,荘真由美,塩沢兼人洋基的骄傲
加里·库珀,特雷莎·怀特,贝比·鲁斯,沃尔特·布伦南,丹·德亚,埃尔莎·扬森,路德维希·施托塞尔,弗吉尼亚·吉尔摩,比尔·迪基,厄尼·亚当斯,皮埃尔·沃特金斯,哈利·哈维,鲍勃·穆塞尔,马克·凯尼格,比尔·斯特恩,艾迪生·理查兹,哈迪·奥尔布赖特,乔治·莱西成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯电视台风云
费·唐纳薇,威廉·霍尔登,彼得·芬奇,罗伯特·杜瓦尔,尼德·巴蒂,比阿特丽斯·斯特雷特同类精选
青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯最后的吸血鬼
工藤夕贵,中村佐恵美怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott Hinds甜心老爸
布伦特·贝利,迈克尔·钱德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凯西·奥凯菲,瑞克·奥托,Anthony Richard Pagliaro,Jim Poole,奥布雷·雷诺兹,埃利斯·罗伯特森罪生咒
影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
另一个人
连姆·尼森,安东尼奥·班德拉斯,劳拉·琳妮,萝玛拉·嘉瑞,Abigail Canton外人看来,彼得(连姆·尼森 Liam Neeson 饰)无疑是一个幸福的男人,妻子丽萨(劳拉·琳妮 Laura Linney 饰)温柔漂亮,两人的婚姻稳定而美满。可近日来,彼得发现丽萨的行为举止越来越奇怪,多疑的他本能的想到,丽萨可能已经另结新欢了。面对妻子的出轨,占有欲极强的彼得感到妒火中烧,通过种种线索,一个名叫雷夫(安东尼奥·班德拉斯 Antonio Banderas 饰)的男人浮出了水面。 追随着丽萨的脚步,彼得来到了意大利,在这里,他果然见到了雷夫。狡猾的彼得决定先隐藏身份,接近雷夫。可是,随着彼得和雷夫的关系越来越近,彼得发现自己渐渐无法控制自己的言行,他对雷夫的存在深恶痛绝,恨不得杀之而后快。
封神之双魂妲己
全片AIGC全程创制,以新国风 AI 视觉重构封神经典。影片讲述了冀州侯之女苏小妹被迫入宫和亲,却在途中遭九尾狐妖夺舍,从此与狐妖共用一具身体、形成“一体双魂”的宿命纠缠。白日里,苏小妹尚能短暂清醒,试图阻止狐妖祸乱朝纲;入夜后,狐妖则借妲己之身迷惑纣王,挑动酷刑、陷害忠良,一步步将大商推向崩塌。随着姜皇后、比干、苏全忠等人相继卷入这场人妖共体的阴谋,苏小妹在亲情、国仇与自我牺牲之间被迫抉择,而一心求仙的狐妖也在与纣王的纠缠中逐渐动摇。当天命、情爱与罪孽交织,真正的妲己究竟是谁?商朝的覆灭,是妖狐的算计,还是命运早已注定的结局?
你好弗里达
奥利维娅·鲁兹,Emma Rodriguez,Rebeca Gonzales,Léo Côté,Sophie Faucher,曼努尔·泰德罗斯,Anne Girard,Joey Bélanger影片生动展现了墨西哥传奇女画家弗里达·卡罗的童年生活。好奇心旺盛的弗里达整天和妹妹玩耍,和邻居家的狗做朋友,爬树,在小镇上奔跑,当她拥有人生中的第一本笔记本,就迫不及待的上面涂满色彩斑斓的图画和想法。小儿麻痹症让她卧床不起,但小弗里达毫不退缩,一旦康复,她就会重返街头,展现她旺盛的生命力。