全美洗车女郎
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanAn enterprising college student agrees to run his professor's Las Vegas car wash to avoid flunking out of school. But it's Vegas gone wild when he decides to staff it with gorgeous bikini-clad girls.
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杀戮南瓜怪
佩顿·伊丽莎白·李,柯瑞·福格尔玛尼斯,怀亚特·林德纳,卡拉·吉门内斯,Sasha Mason,乔纳·利斯,DJ·考尔斯,Marc Sully Saint-Fleur万圣节之夜，一位少女剧作家、她的弟弟和一群幸存者被困在一个可怕的村庄里：一群有着生命的南瓜开始攻击人类，而这件事似乎在这个村庄的历史上发生过。
超渡
王欣,陈立谦,张嘉殷,李子昭没有任何人气的鬼怪小说作家严冬自命不凡，虽然专写灵异题材，但是却从不相信世上有鬼。他的经纪人兼好友包劲希望他能尽快写出真正恐怖且吸引人的作品，为此和他打赌世上到底有没有鬼。两人来到乡下，在专门为他人做法事的三姐的庵堂住了下来。三姐的徒弟们活泼三八，独有沉默的阿乐不与众人为伍。阿乐自幼拥有天眼，能够看到另一个世界的众生，为了不惹麻烦上身而小心回避他们。另一方面，严冬在包劲和女孩们的帮助下终于见到了鬼，却险些吓破胆，关键时刻多亏阿乐相救。 自此之后他们越来越熟，而见鬼的日子也越来越多，盘桓在人间的众生希望借助他们得到超度……
全境灾变
伊芙·詹姆斯 Eve James,坎农·史密斯 Kannon Smith,莱琳·麦克 Lelyn Mac在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。
星河入梦
王鹤棣,宋茜,祖峰,罗海琼,汪铎,谢楠,庞博近未来，虚拟梦境系统“良梦”问世，人们可以在自己定制的梦境中随时“圆梦”，轻松“躺赢”。然而，一场由“梦”引发的危机悄然而至，“良梦”管理员彪哥（王鹤棣 饰）不得不唤醒舰长思蒙（宋茜 饰），救出卡在梦里的所有人。双人成行，穿梦闯关，一场脑洞大开的梦境冒险就此展开……
挫败的人生劫案
凯瑞·克劳利,布里德·布伦南,Eva-Jane Gaffney,肖恩·T·O·米尔莱,Marcus Lamb,阿特·帕金森,Naseen Morgan,Niall Mac Eachmharcaigh,Brid Ní Chumhaill,Christopher Grant,Eoghan Mac Giolla Bhrighde是被过去塑造的囚徒，还是自我命运的缔造者？故事以抢劫失败后的悲剧开场。一位濒临崩溃的偏执女子，带领两名同伙抢劫了爱尔兰农村信用社，但计划漏洞百出。事态不断失控，随着时光倒流，那些无法逃离的记忆如同锁链，不仅将她们拖入深渊，更将身边人卷入致命漩涡。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.