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甜心老爸
布伦特·贝利,迈克尔·钱德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凯西·奥凯菲,瑞克·奥托,Anthony Richard Pagliaro,Jim Poole,奥布雷·雷诺兹,埃利斯·罗伯特森大学毕业后，Bridget和她最好的朋友Lindsay搬到了一个新的城镇。她得到了一份担任Anthony Gloss行政助理的工作，但她很快发现，奢侈的生活可能会付出致命的代价。
白石州往事
内详是中国独立电影导演蒋润庭创作的科幻小说，在番茄小说网连载，以虚构城市白石州市爆发“WOC-13”新型狂犬病毒为背景，通过多角色故事展现末日危机下的人类求生选择。
着牛仔裤的钟馗
成奎安,叶蕴仪,王小凤,叶子楣香德祖（成奎安 饰）是一名香港皇家警察，他的老婆（王小凤 饰）怀孕待产，夫妻二人亲密非常。这一日，他们去医院检查的路上，遭遇一伙银行劫匪。出于职责，香抛下妻子奋勇上前追击。经过一番追车和搏斗，香制服歹徒，却被匪首暗算，致使钢筋穿胸而死，尸体被埋于乱铁之中。是夜，一只黑猫跳上香的身体，刚好猛雷劈下，香竟奇迹般复苏，变成活脱脱的僵尸。他复活后力大无比，但害怕阳光，还需要定期充电。香自知时日无多，决定对妻子隐瞒这个秘密，并将银行劫匪绳之以法。 另一方面，匪徒当初逃跑时劫持少女Gucci（叶蕴仪 饰）为人质，混乱中Gucci拿着装钱的箱子逃跑。愤怒的劫匪四下寻找Gucci，当他们得知香还在人间之时，一番正邪大战在所难免……
柏林综合症
泰莉莎·帕尔墨,马克思·雷迈特,马蒂亚斯·哈比希,艾玛·巴丁,艾尔迈拉·拜赫尔米,克里斯托夫·弗兰肯,露西·阿伦,纳西姆·阿瓦特,马琳·斯特芬,图索·勒克维,拉拉·玛丽·缪勒,玛雅·阿布斯贝格澳大利亚摄影记者克莱尔（泰莉莎·帕尔墨 Teresa Palmer 饰）在柏林度假时邂逅了当地男子安迪（马克思·雷迈特 Max Riemelt 饰），一见钟情的两人共度春宵，激情过后意想不到的危险来临，克莱尔醒来时发现自己被安迪反锁在家中，而安迪似乎并不打算让她离开……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
狼蛛
约翰·艾加尔,里奥.G.卡罗尔,克林特·伊斯特伍德本片是美国50年代一部优秀的科幻片。导演Jack Arnold运用特效，让一只小小的蜘蛛在银屏上变成一只体形庞大的塔兰图拉毒蛛。影片中的塔兰图拉毒蛛是一只十分可怕的怪兽，它四处破坏，但始终免不了灭亡的命运。 经典科幻片，强烈推荐！